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Tuesday 26 December 2017

Season opening and rap (!) in Pärnu

Opening the Pärnu City Orchestra season with Mendelssohn "Scottish"

After returning from Siberia, my next concert was the season opening of Pärnu City Orchestra. I had as my soloist a brilliant young soprano Pelageya Kurennaya, who sang Mozart's concert aria "Bella mia fiamma" and Gliere's concerto for coloratura soprano. The second half of the concert was Mendelssohn's "Scottish" symphony - a work which brings back many memories, since I learned it from Kurt Masur who passed away two years ago.


Two weeks later I returned to Pärnu for something very different - a concert aimed at youth where the main attraction was the Estonian rapper Kapa! He is clearly very popular in Estonia, because we had a full hall. The orchestra was in string formation, and we were augmented with a band and backing tracks also. In between the rap songs (are they songs?) we performed John Adams' classic Shaker Loops, a work I have been waiting for long time to perform.

Wednesday 20 September 2017

Krasnoyarsk - my new musical home 5000 km from home!


I can finally publish the news that I have known since April but had to keep under wraps until the season opening in Krasnoyarsk - I now have a new musical home after my appointment as the Principal Guest Conductor of the Krasnoyarsk Symphony Orchestra! In this capacity I will visit Krasnoyarsk four times a year, each time conducting one subscription concert and other projects which might be chamber orchestra concerts, school or family concerts or special events.

This week was very busy for me in Krasnoyarsk, and besides rehearsing the orchestra for the grand opening (with two orchestras and three conductors on stage!) I had to speak Russian live on radio together with the two other conductors, give an interview to the new newspaper of the Krasnoyarsk Philharmonic, appear in front of TV cameras right after my performance of Sibelius Karelia Suite, not to mention a lot of planning and brainstorming with the Chief Conductor Vladimir Lande. The season opening was covered on TV channel Yenisei by Oleg Suslov, and I was very flattered about what he had to say about my work - watch it yourself if you know Russian.

This was my fourth visit to Krasnoyarsk, and every time I have enjoyed the good atmosphere in the rehearsals and the warm and enthusiastic public in my concerts. I am very happy to now return to Siberia more often. My next projects in Krasnoyarsk will be in January, 2018 (it might be cold!).

Finland 100 in Kirkkonummi

Celebrating 100 years of Finnish independence at Kirkkoharju school

The first concert of my season 2017-18 was my debut with the Kirkkonummi Chamber Orchestra, and also their contribution to the "Finland 100" -festivities in their town Kirkkonummi. Throughout the week there were numerous cultural events in town, and it all culminated in the final concert with all of the local choruses performing together with the local opera association and the orchestra. I conducted the second half of this concert which consisted of several opera choruses, the first movement of Gunaropulos saxophone concerto with my friend Olli-Pekka Tuomisalo (who is coincidentally from Kirkkonummi himself!) and Sibelius Finlandia.

There is no concert hall in Kirkkonummi, so we performed in the gym hall of the Kirkkoharju school. The festive atmosphere made up the lack of luxurious surroundings in the full hall. In this orchestra there are some players I used to study with at the conservatory and the Sibelius academy, so again I had great time in the rehearsals. Looking forward to our next collaboration already - perhaps playing the whole Gunaropulos concerto next?

Wednesday 16 August 2017

Rachmaninoff and Sibelius, and a new orchestra in Helsinki


Perhaps the most interesting project this summer went by the name of SMO - which could either mean "Sorjonen-Mäkilä-orchestra" or even "Sasha Mäkilä Orchestra". This project started by the initiative of pianist Alina Sorjonen who wanted to gather together a group of musician friends for a performance of Rachmaninoff's 2nd piano concerto. I promised to conduct the orchestra if we could program Sibelius 1st symphony, and brought some of my friends with me - and suddenly we had a symphony orchestra of 65 people who wanted to play this great repertoire! The remarkable thing in this was, that we had no budget, no sponsors, nothing to attract players to this project - except the promise of a couple of days of great music making.


And how it paid off! We did not only have fun rehearsals in a supportive atmosphere where everyone could do their best, but when the concert day came we saw the Temppeliaukio church more crowded than it has ever been. With seating capacity of seven hundred there were about a hundred more people listening to the concert standing up. It was of course a free concert, but audience wise it couldn't have been better. The concert went well and we even got a standing ovation in the end.

Now, it seems like this concert was not a one-off but it sparked a start of a whole new orchestra! Many players came to me after the concert telling how much fun they had and hoping that we do this soon again, and as I am writing this there are already many plans underway - first another concert in Helsinki, then maybe repeating the program in some other city, and finally taking the orchestra on tour if we manage to keep the enthusiasm up. And we have to think about the name too. Or maybe SMO is just fine? Any suggestions?

Monday 14 August 2017

My 12th International Conducting Masterclass - in Pärnu, Estonia

Technique class with two pianists

This summer I taught my 12th international conducting masterclass, and this was already the 4th time I organised it in the lovely spa town of Pärnu, which is also known as Estonia's "summer capital". I had eight talented students attending this time - some of them returning students from my earlier masterclasses, some of them newcomers.

Working with the soloist

In Pärnu we have evening sessions with two pianists where we can solve technical problems. We also work with a soloist every time, so that the students will get an idea of the challenges of doing accompaniments. This year we worked again with violinist Lila Watanabe who comes with a long experience playing in some of the best orchestras in the world.

Orchestra rehearsal with the Pärnu City Orchestra

The Pärnu City Orchestra is an experienced workshop orchestra, and I am always impressed by their positive attitude. I can imagine how tiring it can be to play the same pieces over and over again for different people, but this orchestra is always trying to give their best to the students. Usually we don't spend much time rehearsing, since this masterclass is more about making your technique work. But this time I actually started to think, that maybe it's the right time to dedicate one of my workshops to the questions of rehearsing, since so many good and valid questions popped up during the masterclass week.

After the concert on the stage of Pärnu concert hall

One of the best things during the masterclass week is to see how well the students get along with each other and make friends. When I went to masterclasses myself I noticed that very often the atmosphere was tense and competitive, and that does nothing to help learning. I try to keep the mood relaxed and positive throughout so that people can learn from each other and support each other during the week. We usually have meals together and continue discussing all the topics around the profession. And one of my masterclass traditions is, that every student needs to propose a toast and practice a bit of their public speaking skills at the same time. Welcome to Pärnu again in 2018!

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