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Tuesday 20 November 2007

Going to the Semi Finals

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Gene and Stas waiting for the first round results

An hour ago we heard the results of the first round of the Fitelberg conducting competition. I was among the 12 "lucky ones" (many times it really is about luck) who will continue in the competition. My turn will be tomorrow at 6 PM, so I will have a little more time to prepare... At the moment I cannot spend much time writing about the details here, but I can say it has been great, I have made new friends, met some old ones, and conducted a very good orchestra!

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Time to relax! Luke and Yannick show a good example

Saturday 17 November 2007

The Fitelberg Competition has Started

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Danuta (right) is helping maestra Lin (left) to register in the competition office

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At the opening ceremony: Sebastian Perlowski, Marcin Dobrzanski, Anja Bihlmaier, Hikaru Ebihara, Shizuo Kuwahara, Yannick Paget, Luke Dollman

Last night we had the opening ceremony and opening concert of the Fitelberg conducting competition here in Katowice. Due to some cancellations we are not 40 but 35 competitors. Now I can honestly say that I know more than half of the competitors! Unfortunately a couple of my friends also did not arrive... So, we listened to some welcoming words and then there was the drawing for the starting alphabet of the competitors. The youngest participant, Andrea Battistoni had the honor to draw - B his very own alphabet! So this morning he had to start...

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The cellists of the Silesian Philharmonic Orchestra...

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...and their chief conductor Miroslaw Jacek Blaszczyk

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The Philharmonic Choir

In the concert we heard three first performances of modern Polish works performed by the Silesian Philharmonic Orchestra and the Philharmonic Choir. The orchestra must be really happy to have a good dose of Haydn, Mozart and Beethoven during the following days! After the concert there was a nice banquet that most of my colleagues missed. Perhaps they were already hurrying to their hotel rooms to study!

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Anja conducting on the first round

So, this morning I went to listen to three first competitors just to get an idea how the situation is and how the orchestra sounds. I must say it is a really good competition orchestra. It sounded always nice, but when someone really wanted to polish some bits, they were able to do everything the competitors asked. I also saw some very interesting conducting today - in my opinion there is something to learn from every participant.

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My turn to conduct will be only on Monday, so there is more than enough time to prepare.

Wednesday 14 November 2007

Off to another conducting competition

Next time I will be writing from Katowice, Poland, where I will be taking part to the 8th Grzegorz Fitelberg International Conducting Competition. The repertoire for that one is really big but consists of good mainstream repertoire plus some interesting Polish works. One could tour the world for a year just by combining those pieces into different concert programs!

I will meet a lot of friends in Katowice, whom I have met before in other competitions and master classes. I am really looking forward to some good time with them (in between studying, of course)! As for a couple of days I will have no pictures (I am still a beginner when it comes to uploading stuff to the net while I am abroad!) I will put here the pics I recently got from the organizers of the two previous competitions I took part in. Stay tuned!

These photos are from Zagreb (thanks Julijana!):

And these are from Luxembourg (thanks Anne!):

Svetlanov 2nd round 1 Svetlanov 2nd round 2

Sunday 28 October 2007

10 Reasons Why You Should Participate in Conducting Competitions

Winners

We all know that music is not a sport, so why bother going to music competitions? They are unfair, there is always politics involved, the winners will be forgotten in a year, and so on and so on. There are countless excuses not to go, but after taking part to more than ten (!) competitions I figured out at least ten reasons why you should kick your own butt and send that tape!

You learn new repertoire. A pianist or a violinist can pick and choose whatever repertoire he or she fancies and after a week of study he/she can come out of the practice room and play it. With us conductors it is a "little bit" different. When you are a student there just is no romantic orchestra available whenever you want to play some Strauss. Therefore the motivation to learn new works is often low. When you decide to take part to a conducting competition you will come out of it with a bunch of scores you can perform anywhere after that. It is a great way to expand your repertoire.

You get a taste of disciplined study with a deadline. When you embark on a professional conducting career, you will be all the time faced with deadlines and you have to manage your time so that you have time to learn all the works you are going to perform. Conducting is a special kind of profession, because most of the preparation happens at home. Many times spouses or kids don't get the fact you need many hours per day silent study time to manage your deadlines. Preparing for a conducting competition is a good taster of the "real life" of a conductor. You have a pile of scores, a deadline, and one month to prepare. What will you do?

You get "free orchestra time". Yes, so many of us study in schools where the orchestra time is more and more limited each passing year. Some of us finish our studies without seeing the orchestra before the diploma concert rehearsals start. A conducting competition is one more chance to step on that podium and gain experience in conducting a real live orchestra.

You meet colleagues and network. Many of you might not believe this, but one of the best things that happened to me in conducting competitions is that I made great friends. It is so refreshing to have 20 or so smart and cultured polyglot people around you for a week! You will make friends with people all around the globe and later in your career that will be a huge plus.

You learn from seeing others conduct (if it is allowed). Most conducting competitions allow you see others conduct. While I don't recommend hanging in the hall just prior your own turn, I think it is really interesting to see how other young conductors work. You will see so many different ways to use your hands, hear so many ways to describe music in words. Different use of energy, different temperaments. And of course you will see where you stand in the group of the young conductors of today.

You learn from the jury decisions (unless you win). No matter how unfair the jury decisions seem, there is always a reason to the choices they make. If you stay and see the conductors after you are eliminated, you should watch them very carefully and think what it is they have and you don't. Is it the hair cut or the arrogant pose? Or are they more energetic or communicative? Are they radiating authority? Take a look at the jury as well. What kind of conductors are the jurors? Sometimes they are just looking for a younger clone of themselves!

You get to travel to a new country and widen your horizons. I have to admit: One of the reasons I like competitions so much is that I love to travel. But I hate being a tourist! To me a trip needs a purpose, always. For people like artists traveling is like oxygen. You learn so much when you go to a new place with new kind of people, speaking a foreign language. I always grab a phrasebook before I go and try to learn a bit of the local language.

You get publicity. How, if I don't win anything, you might ask. Well, consider this: You don't just walk to a conducting competition and say you want to conduct. Usually 50-500 people worldwide apply and only the most promising ones are invited based on their videos and resumes. The fact you are invited means you belong to the very top of the young conductors of today! This fact in itself is enough to make the local news. Write and send that press release today!

Your performance might result in conducting engagements even if you don't win! Yes, this happened to two of my friends. One of them was kicked out after the 2nd round but the same night was promised a concert by the manager of the competition orchestra! Another friend of mine made it to the semi-finals of a big competition and as a result he got an agent! And no, the agent was not interested in the winners of that competition at all.

You might actually win a prize! You might be surprised how many times it happens to the people who didn't expect it. When the Finnish conductor Okko Kamu took part in the very first Herbert von Karajan Conducting Competition in 1969, he had to run shopping for new scores every time the next round competitors were announced. He ended up winning the whole competition! If you win, you will get good publicity, good money and a couple of concert engagements. Now go fill that application! See you next time!

Monday 15 October 2007

Preparing for the next competition...

SashaZagrebConducting the Zagreb Philharmonic Orchestra

Past couple of days I have spent preparing intensively for the next competition, which will be the Grzegorz Fitelberg competition in Poland. A great help again was my professor from the St Petersburg Conservatory, Leonid Korchmar, who came to Finland to instruct me and some other conducting students last weekend.

The task in this Polish competition is quite big: I have to study 18 works, and in the competition I will (in the best case) conduct 6 of them, decided by lot. Luckily I know more than half of the works from beforehand. In this competition we need to study three 20th century Polish works. My choices were Lutoslawski's 4th symphony, Panufnik's Sinfonia Sacra and Szymanowski's 2nd symphony. The good side in competitions is, that you will get to know works you would not study otherwise. For example, Panufnik's piece is very beautiful music and I am happy to study it for this occasion.

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